Yeniden Yayımlanma Süreci – Nâzım'ın Hikâyesi

[vc_row bg_check=”row-background-dark” dfd_bg_style=”image” dfd_bg_image_new=”2138″ dfd_bg_image_repeat=”no-repeat” dfd_image_bg_color=”rgba(167,162,169,0.71)” dfd_bg_image_position=”center” dfd_bg_image_size_mobile=”cover” dfd_overlay_color=”rgba(167,162,169,0.75)” dfd_overlay_pattern=”transperant” dfd_overlay_pattern_size=”1″ dfd_row_config=”full_width_content” dfd_row_parallax=”dfd-row-parallax” row_parallax_limit=”50″ css=”.vc_custom_1588255759479{margin-top: -20px !important;}”][vc_column column_bg_check=”column-background-dark”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”300″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”250″ screen_tablet_spacer_size=”250″ screen_mobile_spacer_size=”250″][dfd_heading module_animation=”transition.slideLeftIn” enable_delimiter=”” title_google_fonts=”yes” title_custom_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:700%20bold%20italic%3A700%3Aitalic” mobile_alignment=”center” style=”style_06″ title_font_options=”tag:h1|font_size:50|color:%23f4f7f5|line_height:60|letter_spacing:2″ subtitle_font_options=”tag:h5″ heading_margin=”margin-bottom:0px;” title_responsive=”font_size_tablet:50|line_height_tablet:60|letter_spacing_tablet:2|font_size_mobile:40|line_height_mobile:55|letter_spacing_mobile:3″]Yeniden Yayımlanma Süreci[/dfd_heading][dfd_button button_text=”NÂZIM TÜRKİYE’DE” tooltip_text=”Bölüm Başına Git” tooltip_alignment=”dfd-button-tooltip-bottom” buttom_link_src=”url:https%3A%2F%2Fwww.naziminhikayesi.com%2F%23nazim-turkiyede|||” module_animation=”transition.slideRightIn” text_color=”#f4f7f5″ hover_text_color=”#f4f7f5″ background=”rgba(222,30,89,0.01)” hover_background=”#08090a” tooltip_color=”#ffffff” tooltip_background=”#cabac8″ border=”border-style:none;|border-width:1px;border-radius:2px;|border-color:#f4f7f5;” hover_border=”border-style:none;|border-width:1px;border-radius:2px;|border-color:#de1e59;” title_custom_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:400%20regular%3A400%3Anormal” style=”style_6″ title_font_options=”font_size:14|letter_spacing:2″ padding_left=”20″ padding_right=”20″ title_google_fonts=”yes”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”30″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”30″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][/vc_column][/vc_row][vc_row dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”100″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”70″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][vc_row_inner][vc_column_inner width=”2/3″ css=”.vc_custom_1596031188604{padding-right: 2% !important;padding-left: 2% !important;}” col_inner_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_inner_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][vc_column_text css_animation=”slideInUp”]

Roman, oyun, senaryo ve gazete yazıları da yazan şair, yaşamının büyük bir bölümünü hapiste ve sürgünde geçirdiği için, 1963’te Moskova’da öldüğünde, geride dağınık bir külliyat bırakır. Eserleri Türkiye’de 1936’dan sonra ancak 1965 yılında yeniden ve bir kısmı ilk kez yayımlanmaya başlar.

Adını önemli eleştirmenlerin yanına yazacak olan Memet Fuat’ın Nâzım Hikmet’in yapıtlarının günümüze ulaşmasına katkısı büyüktür.[/vc_column_text][/vc_column_inner][/vc_row_inner][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row dfd_row_config=”default_row_small_paddings” anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column 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screen_normal_spacer_size=”40″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][videoplayer module_animation=”transition.slideUpIn” video_thumb=”4883″ main_style=”style-1″ title=”Yalçın Armağan” subtitle=”Babaya Bağ Bağışlamak: Memet Fuat’ın Nâzım Hikmet’e Yoldaşlığı” video_link=”https://youtu.be/jdXKe4y5L8M?t=1390″ title_font_options=”tag:h6|font_size:14|line_height:19.18|letter_spacing:0″ subtitle_font_options=”tag:h6″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][dfd_info_box hover_animation=”hover-up-box” module_animation=”transition.slideLeftIn” read_more=”box” readmore_style=”read-more-05″ readmore_text=”Merkez Video Arşivi” icon=”dfd-icon-videocamera_3″ content_custom_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:500%20bold%20regular%3A500%3Anormal” style=”style-01″ layout=”layout-06″ title=”Babaya Bağ Bağışlamak: Memet Fuat’ın Nâzım Hikmet’e Yoldaşlığı” subtitle=”Yalçın Armağan, 15 Ocak 2019″ title_font_options=”tag:div|font_size:17|color:%23172121″ subtitle_font_options=”tag:div|font_size:15|color:%23224c70″ font_options=”tag:div|font_size:12|color:%23666666|line_height:18″ icon_color=”#cabac8″ line_color=”#cabac8″ icon_hover=”#224c70″ use_content_google_fonts=”yes” icon_size=”55″ readmore_show=”yes” link=”url:http%3A%2F%2Fnazimhikmetmerkezi.com%2Fnazim-hikmetle-karsilasmalar%2F||target:%20_blank|”]Merkez tarafından Boğaziçi Üniversitesi’nde düzenlenen Nâzım Hikmet’le Karşılaşmalar panellerinin ikinci oturumunda Armağan, Nâzım Hikmet ile Memet Fuat’ın baba-oğul ilişkisini yayıncılık çerçevesinde ele alırken, Memet Fuat’ın Nâzım Hikmet külliyatının oluşmasındaki katkılarını ve şairin efsaneleştirilmesine karşı yürüttüğü mücadeleyi anekdotlar ve rakamlar üzerinden açıklıyor. Etkinliğe dair ayrıntılı bilgi almak ve kayıtları izlemek için Merkez video arşivini ziyaret edebilirsiniz. [/dfd_info_box][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”40″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”40″ screen_tablet_spacer_size=”30″ screen_mobile_spacer_size=”20″][/vc_column][vc_column width=”1/2″ dfd_column_responsive_enable=”dfd-column-responsive-enable” css=”.vc_custom_1531822176805{padding-right: 3% !important;}” responsive_styles=”padding_left_tablet:20|padding_left_mobile:20″][vc_column_text css_animation=”slideInUp”]

[Memet Fuat] Memleketimden İnsan Manzaraları’ndan önce birkaç kitap yayımlamış, ama bu kitapların hepsi için dava açılıyor ve kitaplar toplatılıyor. Bir hayli zarar görüyor yayınevi bundan. Memleketimden İnsan Manzaraları büyük bir yapıt ve eğer bu topluca yayımlanırsa ve toplatılırsa büyük bir külfet olacak. O yüzden de parça parça yayımlıyor. Yayımlamadan önce de, toplatılmasını önlemek için, bir askeri savcıya okutuyor metni. Seksene yakın dizeyi çıkarıyorlar, bu sayede yayımlıyorlar, sansürden de geçtiği için yayımlanabiliyor. Ayrıca Memet Fuat’ın yayıncılık bağlamında yaptığı önemli bir şey de; her baskıda o dizeleri ekliyor. 1987’ye geldiğimiz zaman Memleketimden İnsan Manzaraları tamamlanmış hale geliyor.

[/vc_column_text][/vc_column][/vc_row][vc_row anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][vc_column_text css_animation=”slideInUp”]Bu konuda öncü olan Yön Dergisi ve De Yayınevi’ni çok yakın zamanlı olarak Dost Dergisi ve Dost Yayınları takip eder. Salim Şengil ve Nezihe Meriç’in yönetimindeki Dost Yayınevi oyunlarla başlayarak peş peşe Nâzım Hikmet kitapları basar.

Nezihe Meriç Asım Bezirci ile gerçekleştirdiği röportajda 1960 sonrasını şu şekilde aktarır:[/vc_column_text][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][vc_column_text css_animation=”slideInUp”]

— 27 Mayıs 1960 harekâtının ve 1961 Anayasa’nın üzerinizde ne gibi etkileri oldu?
— Anayasa’nın getirdiği demokratik açılım içinde, az önce eksikliğini duyduğum alanda okuma işini sürdürdüm. […] 27 Mayıs’ın en büyük etkisi bu oldu bende…
— Bu etkiyle neler yaptınız?
— Salim’le Nâzım Hikmet’in eserlerini yayımlamaya karar verdik. Bunun için hazırlıklara giriştik. İlk olarak 1965’te üç oyununu çıkardık: Ferhat ile Şirin, Enayi, İnek. Bunları üç şiir kitabı izledi: Jokond ile Si-Ya-U, Taranta Babu’ya Mektuplar, Benerci Kendini Niçin Öldürdü. 1966’da da üç oyun (Kafatası, Unutulan Adam, Bir Ölü Evi) ile iki şiir kitabı (Şeyh Bedrettin Destanı, Yeni Şiirler) yayımladık.”
Bezirci, Asım. Nezihe Meriç. İstanbul: Evrensel Basım Yayın, 1999. 39.

[/vc_column_text][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][vc_column_text css_animation=”slideInUp”]1968 yılına kadar bu yayınlardan kaynaklanan bir sorun yaşamazlar. Ancak Nezihe Meriç derginin ve yayınevinin yazı işleri sorumlusu olarak 1968 Ekim’inde yayımladıkları Nâzım Hikmet Bütün Eserleri: Şiirler I için kovuşturmaya uğrarlar. Bilgi Yayınevi’nden Ahmet Küflü, Nâzım’ı topluyorlar uyarısı ile arar yazarı. İfadesi alınır. 13 Aralık’ta mahkeme tutuklama kararı verir çünkü bilirkişi raporunda adı geçen kitapta TCK’nın 142, 311 ve 312. maddelerine göre suç unsurları olduğunu belirtir. Tahliye isteği reddedilince bir hafta cezaevinde kalır. (Mahkeme süreci ve sonrası için bkz. age, s. 40-44)[/vc_column_text][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”20″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”20″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][vc_column_text css_animation=”slideInUp”]Memet Fuat’ın çabalarıyla Nâzım Hikmet’in külliyatı tamamlanırken, 1970’li yılların siyasi ortamında şiirleri Ruhi Su, Zülfü Livaneli, Cem Karaca, Fazıl Say gibi sanatçılar tarafından bestelenir ve geniş kitlelerle buluşur. Tiyatro oyunları oynanmaya devam edilir. Hayatı sinema filmlerine aktarılır.[/vc_column_text][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row][vc_column][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”100″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”100″ screen_tablet_spacer_size=”90″ screen_mobile_spacer_size=”80″][/vc_column][/vc_row][vc_row dfd_bg_style=”image” dfd_parallax_style=”dfd_animated_bg” dfd_bg_image_new=”5151″ dfd_overlay_color=”rgba(167,162,169,0.75)” dfd_row_config=”full_width_content_paddings” bg_type=”bg_color” css=”.vc_custom_1618490441779{padding-right: 3% !important;padding-left: 3% !important;border-radius: 2px !important;}” bg_color_value=”#f5f5f5″][vc_column][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”150″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”100″ screen_tablet_spacer_size=”100″ screen_mobile_spacer_size=”80″][vc_separator color=”custom” style=”shadow” border_width=”2″ accent_color=”#f4f7f5″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”70″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”40″ screen_mobile_spacer_size=”40″][vc_row_inner][vc_column_inner width=”1/2″ offset=”vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1609023272664{padding-right: 5% !important;}” col_inner_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_inner_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)”][dfd_info_box hover_animation=”hover-up-box” module_animation=”transition.bounceIn” read_more=”box” icon=”dfd-icon-left_2″ custom_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:700%20bold%20italic%3A700%3Aitalic” style=”style-01″ title=”Nâzım Türkiye’de” title_font_options=”tag:h2|color:%23f4f7f5″ subtitle_font_options=”tag:div|font_size:18|color:rgba(0%2C0%2C0%2C0.74)|line_height:40|letter_spacing:1|font_style_italic:1″ font_options=”tag:div” subtitle=”ÖNCEKİ” use_google_fonts=”yes” icon_hover=”#224c70″ icon_color=”#cabac8″ link=”url:https%3A%2F%2Fwww.naziminhikayesi.com%2F%23nazim-turkiyede|title:N%C3%A2z%C4%B1m%20T%C3%BCrkiye’de||” layout=”layout-04″ title_responsive=”font_size_desktop:30|line_height_desktop:40|letter_spacing_desktop:1|font_size_tablet:30|line_height_tablet:40|letter_spacing_tablet:1|font_size_mobile:30|line_height_mobile:40|letter_spacing_mobile:1″ line_hide=”yes”]6. BÖLÜM GİRİŞ[/dfd_info_box][/vc_column_inner][vc_column_inner width=”1/2″ css=”.vc_custom_1609023281909{border-left-width: 1px !important;padding-left: 5% !important;border-left-color: rgba(244,247,245,0.75) !important;border-left-style: inset !important;}” col_inner_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_inner_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)”][dfd_info_box hover_animation=”hover-up-box” module_animation=”transition.bounceIn” read_more=”box” icon=”dfd-icon-right_2″ custom_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:700%20bold%20italic%3A700%3Aitalic” style=”style-01″ title=”Vatandaşlığının İadesi” title_font_options=”tag:h2|color:%23f4f7f5″ subtitle_font_options=”tag:div|font_size:18|color:rgba(0%2C0%2C0%2C0.74)|line_height:40|letter_spacing:1|font_style_italic:1″ font_options=”tag:div” subtitle=”SONRAKİ” use_google_fonts=”yes” icon_hover=”#224c70″ icon_color=”#cabac8″ layout=”layout-05″ line_hide=”yes” link=”url:http%3A%2F%2Fwww.naziminhikayesi.com%2F6-nazim-hikmet-turkiyede%2Fvatandasliginin-iadesi|title:Vatanda%C5%9Fl%C4%B1%C4%9F%C4%B1n%C4%B1n%20%C4%B0adesi” title_responsive=”font_size_desktop:30|line_height_desktop:40|letter_spacing_desktop:1|font_size_tablet:30|line_height_tablet:40|letter_spacing_tablet:1|font_size_mobile:25|line_height_mobile:40|letter_spacing_mobile:1″][/dfd_info_box][/vc_column_inner][/vc_row_inner][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”50″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”50″ screen_tablet_spacer_size=”30″ screen_mobile_spacer_size=”30″][vc_separator color=”custom” style=”shadow” accent_color=”#f4f7f5″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”150″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”100″ screen_tablet_spacer_size=”80″ screen_mobile_spacer_size=”80″][/vc_column][/vc_row]