[vc_row bg_check=”row-background-dark” dfd_bg_style=”image” dfd_bg_image_new=”1734″ dfd_bg_image_repeat=”no-repeat” dfd_image_bg_color=”rgba(167,162,169,0.71)” dfd_bg_image_position=”left” dfd_bg_image_size_mobile=”cover” dfd_overlay_color=”rgba(167,162,169,0.75)” dfd_overlay_pattern=”transperant” dfd_overlay_pattern_size=”1″ dfd_row_config=”full_width_content” dfd_row_parallax=”dfd-row-parallax” row_parallax_limit=”50″ css=”.vc_custom_1532858942623{margin-top: -20px !important;}”][vc_column column_bg_check=”column-background-dark”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”300″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”250″ screen_tablet_spacer_size=”250″ screen_mobile_spacer_size=”250″][dfd_heading module_animation=”transition.slideLeftIn” enable_delimiter=”” title_google_fonts=”yes” title_custom_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:700%20bold%20italic%3A700%3Aitalic” mobile_alignment=”center” style=”style_06″ title_font_options=”tag:h1|font_size:50|color:%23f4f7f5|line_height:60|letter_spacing:2″ subtitle_font_options=”tag:h5″ heading_margin=”margin-bottom:0px;” title_responsive=”font_size_tablet:50|line_height_tablet:60|letter_spacing_tablet:2|font_size_mobile:40|line_height_mobile:55|letter_spacing_mobile:3″]Altı Ay Alacaklı Mahpus[/dfd_heading][dfd_button button_text=”PUTLARI YIKIYORUZ” tooltip_text=”Bölüm Başına Git” tooltip_alignment=”dfd-button-tooltip-bottom” buttom_link_src=”url:https%3A%2F%2Fwww.naziminhikayesi.com%2F%23putlari-yikiyoruz|||” module_animation=”transition.slideRightIn” text_color=”#f4f7f5″ hover_text_color=”#f4f7f5″ background=”rgba(222,30,89,0.01)” hover_background=”#08090a” tooltip_color=”#ffffff” tooltip_background=”#ff2400″ border=”border-style:none;|border-width:1px;border-radius:2px;|border-color:#f4f7f5;” hover_border=”border-style:none;|border-width:1px;border-radius:2px;|border-color:#de1e59;” title_custom_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:400%20regular%3A400%3Anormal” style=”style_6″ title_font_options=”font_size:14|letter_spacing:2″ padding_left=”20″ padding_right=”20″ title_google_fonts=”yes”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”30″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”30″ screen_tablet_spacer_size=”20″ screen_mobile_spacer_size=”20″][/vc_column][/vc_row][vc_row anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”100″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”70″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][vc_column_text css_animation=”none”]

Nâzım Hikmet’in babası ve Süreyya Sineması’nın müdürü Hikmet Nâzım Bey, 1932’de bir köpek tarafından ısırılınca kuduz aşısı yaptırır. Fakat daha birkaç gün önce yaralanmış ve tetanos aşısı da yaptırmıştır. Hikmet Bey, iki aşının uyuşmaması nedeniyle ağır hastalanır. Hikmet Bey evinde hasta yatarken patronu Süreyya Paşa yanına gidip sinemanın hesaplarıyla ilgili olarak kendisiyle konuşur.

Bu konuşmadan birkaç gün sonra Hikmet Bey ölünce, Nâzım Hikmet kahrolur ve o kızgınlıkla önce “Gece Gelen Telgraf”, bir yıl sonra da “Hiciv Vadisinde Bir Tecrübei Kalemiye” başlıklı şiirleri yazar. İkinci şiirde kendi babası ile Süreyya Paşa’nın babası Abdülhamid dönemi Seraskeri Rıza Paşa’yı anlatır.

[/vc_column_text][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row dfd_row_responsive_enable=”dfd-row-responsive-enable” row_responsive_mobile_classes=”dfd-remove-left-padding,dfd-remove-right-padding,dfd-remove-left-margin,dfd-remove-right-margin,dfd-remove-left-border,dfd-remove-right-border” row_responsive_mobile_resolutions=”dfd-apply-desktop,dfd-apply-laptop,dfd-apply-tablet,dfd-apply-mobile” responsive_styles=”padding_right_tablet:10″][vc_column width=”1/6″ css=”.vc_custom_1531488044133{padding-right: 3% !important;padding-left: 3% !important;}”][/vc_column][vc_column width=”2/3″ css=”.vc_custom_1531821132049{padding-left: 6% !important;}”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row dfd_row_responsive_enable=”dfd-row-responsive-enable” row_responsive_mobile_classes=”dfd-remove-left-padding,dfd-remove-right-padding,dfd-remove-left-margin,dfd-remove-right-margin,dfd-remove-left-border,dfd-remove-right-border” row_responsive_mobile_resolutions=”dfd-apply-desktop,dfd-apply-laptop,dfd-apply-tablet,dfd-apply-mobile” responsive_styles=”padding_right_tablet:10″ css=”.vc_custom_1532605754500{background-color: rgba(167,162,169,0.2) !important;*background-color: rgb(167,162,169) !important;}”][vc_column width=”1/6″ css=”.vc_custom_1531488044133{padding-right: 3% !important;padding-left: 3% !important;}”][/vc_column][vc_column width=”2/3″ css=”.vc_custom_1618571942065{padding-left: 6% !important;}” offset=”vc_hidden-xs” col_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][dfd_info_box hover_animation=”hover-up-box” module_animation=”transition.slideUpIn” opacity=”85″ icon=”dfd-icon-pencil_2″ content_custom_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:500%20bold%20regular%3A500%3Anormal” style=”style-01″ layout=”layout-07″ title=”GECE GELEN TELGRAF” subtitle=”Nâzım Hikmet, 1931″ title_font_options=”tag:div|font_size:25|color:%23172121|line_height:40″ subtitle_font_options=”tag:div|font_size:15|color:%23224c70″ font_options=”tag:div|font_size:12|color:%23666666|line_height:18″ icon_color=”#ff2400″ line_color=”#ff2400″ icon_hover=”#224c70″ use_content_google_fonts=”yes” icon_size=”55″ title_responsive=”font_size_mobile:20|line_height_mobile:35|letter_spacing_mobile:1″][/dfd_info_box][dfd_heading module_animation=”transition.slideUpIn” content_alignment=”text-left” enable_delimiter=”” title_google_fonts=”yes” title_custom_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” style=”style_02″ title_font_options=”tag:div|font_size:25|line_height:35|letter_spacing:1″ subtitle_font_options=”tag:h3″ title_responsive=”font_size_desktop:18|line_height_desktop:30|letter_spacing_desktop:0|font_size_tablet:18|line_height_tablet:30|letter_spacing_tablet:0|font_size_mobile:12|line_height_mobile:23|letter_spacing_mobile:0″]Gece gelen telgraf
dört heceden ibaret
“VEFAT ETTİ.”
İmza yok.
Bu dört hece bile çok.
.
Bakıyorum duvara :
duvarda bir yara –
duvarda bir resim –
vefat edenin,
elimle çizmişim.
.
Saat bir.
Saat üç.
Saat beş.
Polis düdükleri, saatlar…
Yatağım bozulmamış.
Çekmecemde kâatlar :
bazıları
onun el yazıları.
.
Gece gelen telgraf,
dört heceden ibaret…
Şafak söküyor –
odam
geceden ibaret.
[…][/dfd_heading][vc_empty_space height=”20px”][vc_empty_space height=”20px”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row dfd_row_responsive_enable=”dfd-row-responsive-enable” row_responsive_mobile_classes=”dfd-remove-left-padding,dfd-remove-right-padding,dfd-remove-left-margin,dfd-remove-right-margin,dfd-remove-left-border,dfd-remove-right-border” row_responsive_mobile_resolutions=”dfd-apply-desktop,dfd-apply-laptop,dfd-apply-tablet,dfd-apply-mobile” responsive_styles=”padding_right_tablet:10″ css=”.vc_custom_1532605754500{background-color: rgba(167,162,169,0.2) !important;*background-color: rgb(167,162,169) !important;}”][vc_column width=”1/6″ css=”.vc_custom_1531488044133{padding-right: 3% !important;padding-left: 3% !important;}”][/vc_column][vc_column width=”2/3″ css=”.vc_custom_1618571948657{padding-left: 6% !important;}” offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm” col_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][dfd_info_box hover_animation=”hover-up-box” module_animation=”transition.slideUpIn” opacity=”85″ icon=”dfd-icon-pencil_2″ content_custom_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:500%20bold%20regular%3A500%3Anormal” style=”style-01″ layout=”layout-07″ title=”GECE GELEN TELGRAF” subtitle=”Nâzım Hikmet, 1931″ title_font_options=”tag:div|font_size:25|color:%23172121|line_height:40″ subtitle_font_options=”tag:div|font_size:15|color:%23224c70″ font_options=”tag:div|font_size:12|color:%23666666|line_height:18″ icon_color=”#ff2400″ line_color=”#ff2400″ icon_hover=”#224c70″ use_content_google_fonts=”yes” icon_size=”55″ title_responsive=”font_size_mobile:20|line_height_mobile:35|letter_spacing_mobile:1″][/dfd_info_box][dfd_heading module_animation=”transition.slideUpIn” content_alignment=”text-left” enable_delimiter=”” title_google_fonts=”yes” title_custom_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” style=”style_02″ title_font_options=”tag:div|font_size:25|line_height:35|letter_spacing:1″ subtitle_font_options=”tag:h3″ title_responsive=”font_size_desktop:18|line_height_desktop:30|letter_spacing_desktop:0|font_size_tablet:18|line_height_tablet:30|letter_spacing_tablet:0|font_size_mobile:12|line_height_mobile:23|letter_spacing_mobile:0″]Gece gelen telgraf
dört heceden ibaret
“VEFAT ETTİ.”
İmza yok.
Bu dört hece bile çok.
.
Bakıyorum duvara :
duvarda bir yara –
duvarda bir resim –
vefat edenin,
elimle çizmişim.
.
Saat bir.
Saat üç.
Saat beş.
Polis düdükleri, saatlar…
Yatağım bozulmamış.
Çekmecemde kâatlar :
bazıları
onun el yazıları.
.
Gece gelen telgraf,
dört heceden ibaret…
Şafak söküyor –
odam
geceden ibaret.
[…][/dfd_heading][vc_empty_space height=”20px”][vc_empty_space height=”20px”][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row force_equal_height_columns=”main_row” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″ mobile_destroy_equal_heights=”yes”][vc_column width=”2/6″ column_bg_position=”center center” col_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)”][vc_single_image image=”2586″ img_size=”202×500″ add_caption=”yes” alignment=”center” style=”vc_box_shadow_3d” css_animation=”slideInUp” image_opacity=”85″ onclick=”link_image”][/vc_column][vc_column width=”3/6″ col_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)”][vc_column_text css_animation=”slideInUp”]1933’te Gece Gelen Telgraf adlı kitabı dolayısıyla “halkı rejim aleyhine kışkırtmak” suçlamasıyla hakkında dava açılırken 22 Mart 1933’te gizli örgüt kurmak ve duvarlara bildiriler yapıştırarak komünizm propagandası yapmak suçlamasıyla tutuklanır ve yargılanmak üzere Bursa’ya gönderilir. Ancak Cumhuriyetin onuncu yılı dolayısıyla çıkarılan af yasasıyla birinci dava düşer; ikinci davada ise 4 yıl hapse mahkûm olan Nâzım Hikmet, bu cezanın 3 yılı af yasası kapsamına girdiğinden, kalan cezasını ise fazlasıyla çekmiş olduğundan Ağustos 1934’te 6 ay alacaklı olarak salıverilir.

Nâzım Hikmet’in ilk tutuklanışı, tiyatro ve sinema sanatı ile yoğun olarak ilgilendiği bir zamana rastlamıştır. Film senaryoları, operet ve filmlere şarkı sözleri yazmaktadır. Şehir Tiyatroları’nda oynanan “Üç Saat” operetinin elde ettiği büyük başarı üzerine o yıl “Lüküs Hayat” opereti hazırlanır. Operetin dillerden düşmeyen şarkılarının güfteleri Nâzım Hikmet tarafından, (muhtemelen) Bursa Cezaevi’nde yazılacaktır. İlk gösterimi 22 Ocak 1933 yılında yapılan “Karım Beni Aldatırsa” filmi ile ilgili olarak Nâzım Hikmet 5 Temmuz tarihli mektubunda Piraye’den, “Filmin plaklarından gelecek parayı takip etmesini” ister.[/vc_column_text][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][vc_single_image image=”2482″ img_size=”full” add_caption=”yes” alignment=”center” style=”vc_box_shadow_3d” css_animation=”slideInUp” image_opacity=”85″ onclick=”link_image”][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][vc_column_text css_animation=”slideInUp”]Nâzım Hikmet ancak bir yıl sonra özgür olacak ve yine Mümtaz Osman takma adıyla film senaryoları, “Deli Dolu”, “Saz Caz” gibi operetlere şarkı sözleri yazdırmayı sürdürecektir.[/vc_column_text][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”60″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”60″ screen_tablet_spacer_size=”60″ screen_mobile_spacer_size=”60″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row anchor=”oku” dfd_row_responsive_enable=”dfd-row-responsive-enable” responsive_styles=”padding_left_tablet:20|padding_right_tablet:20|padding_left_mobile:20|padding_right_mobile:20″][vc_column width=”1/4″][/vc_column][vc_column width=”1/2″ css=”.vc_custom_1532696423699{padding-right: 3% !important;padding-left: 3% !important;}”][dfd_info_box hover_animation=”hover-up-box” module_animation=”transition.slideRightIn” read_more=”box” more_show=”hover” readmore_style=”read-more-05″ readmore_text=”Nâzım’ın Hikâyesi Soundcloud hesabı” opacity=”85″ icon=”dfd-icon-headphones2″ content_custom_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:500%20bold%20regular%3A500%3Anormal” style=”style-01″ layout=”layout-04″ title=”Gece Gelen Telgraf şiiri” subtitle=”Seslendiren: Burak Davutoğlu” title_font_options=”tag:div|font_size:17|color:%23172121″ subtitle_font_options=”tag:div|font_size:15|color:%23224c70″ font_options=”tag:div|font_size:12|color:%23666666|line_height:18″ icon_color=”#ff2400″ line_color=”#ff2400″ icon_hover=”#224c70″ use_content_google_fonts=”yes” icon_size=”55″ link=”url:https%3A%2F%2Fsoundcloud.com%2Fnaziminhikayesi||target:%20_blank|” readmore_show=”yes”]Ses Tasarımı: Göksenin Göksel
Görsel: Hikmet Bey, Murat Germen & Cafer Türkmen Arşivi[/dfd_info_box][vc_column_text css_animation=”slideInUp”][soundcloud id=’476952087′ playlistHeight=”]

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